Star Trek: Lower Decks

This past week (if not two) has been rather hellish from a reading perspective (pull list comics not withstanding.

Attempting to continue my limited time use of Comixology/Kindle Unlimited after Spider-Man: Renew Your Vows, I've attempted to read something else. However, a lack of time and access to my tablet (kids, huh?), has meant I've been lucky to get through more than a couple of pages every few days.

Fortunately, I'm not so prohibited with print and so, during this week, I've been able to read the newly acquired Star Trek: Lower Decks (gotta love birthdays) by Ryan North and Chris Fenoglio.

This first trade (presumably. There's a '1' on the spine) of the series see Starfleet's favourite junior rankers, while taking in R&R on a love journey to the Cerritos' next mission, accidentally create life on the Holodeck, resulting in some Moriarty level hi-jinks. However, this isn't the best time to form a sentient holographic vampire as Captain Freeman, setting off on her mission, finds herself in trial for violating the Prime Directive. Now her crew have to find a way to help her (although maybe she'll get lucky and another ship will show up and do it).

At this point, I don't think it's a secret about my thoughts from Star Trek. On top of watching every series (except Prodigy but 'Roll on Christmas Day!') I've read City on the Edge of Forever and Mirror Broken, Strange New Worlds and the Jackson/Kelly run. In each one, I think I've made it clear that I LOVE Star Trek!!!

Of all of the shows though, Lower Decks has got to be my favourite.

With this trade, it really feels like Ryan North has perfectly imbued every bit of wit, tone and colour into both the story and the world of the Cerritos. Reading this series is like watching a previously unseen episode, with North, who I'm currently reading over on Fantastic Four, seems to return to the humour used in the Unbeatable Squirrel Girl series I've heard such mad praise about, and utilise it to perfectly recreate this California-Class crew and their shenanigans.

This is mostly seen in the dialogue. North captures the distinct voices of Boimler, Mariner and beyond with incredible accuracy, as their language is so in keeping with each respective character that I can't help but hear Tawny Newsome, Jack Quaid and many other voices from the show as I went through it. Then, there is the additional exposition at the bottom of (almost) each page which helps bring more levity (if any was actually needed) while also, clearing up any complex techno-babble, scene cuts or even North's own inside jokes.

That said, this extra dialogue was also the biggest flaw for me as it was difficult to read and also hard to grasp whose perspective it actually related to. However, the fact I read it on a bus and the fact Britain's road are not pot-hole free may have had something to do with that.

Now I've said (or maybe more implied) that North perfectly encapsulated Lower Decks, but I have to confess that this is nothing compared to the stellar art of Chris Fenoglio. Having first encountered his work in the Hello Neighbour's video game's tie-in Graphic Novel, I've seen repeated posts on his social media of a perfectly rendered Lower Decks crew. Therefore, I think it is fair to say that no one was a better choice for this comic and, as a result, Fenoglio absolutely knocks it out of the park. So on point is his work and so in keeping with the series animation is his style, it feels more like this is some lost episode. In fact, if they were to bring him in to fill in the gaps, Fenoglio could probably convert into an actual part of the tv series and no one would ever realise.

I realise that I've rambled on a little bit but, long story short, thanks to this perfect confluence of story, art and even extras (this trade contains references to Star Trek episodes which themselves are referenced in the story), this was a tremendously funny read which feels like the perfect add-on to the Lower Decks universe.

I just hope that '1' on the spine isn't some tease and it'll come back for round two.

No, I really want to watch Lower Decks (again).

Batman: City of Madness - Book Two

It feels like a lifetime ago that I read the first instalment of Batman: City of Madness (in reality, it's been a tad over two months). In fact coupled with Superman: The Last Days of Lex Luthor (where the first issue came out in August), I was beginning to wonder if I had it all wrong and that both of these Black Label books were simply one-shots (and not very good ones given a lack of definite end).

Of course, almost constantly checking League of Geeks website for new and future releases and confirming they are both mini-series put my mind at ease (even if the wait did frustrate me).

Fortunately, my patience (for Batman) has finally paid off as Batman: City of Madness Book Two has been released. Book two continues Christian Ward's of the Dark Knight investigating the apparent increase in certain villains' rageful temperaments. However, as the case continues, the Batman is approached by the Court of Owls with an offer: help quell this new evil infecting Gotham by defeating an monstrous doppelganger found in a very different Gotham.

Christian Ward builds on his prior issue, where my interest was only piqued, to an entry which was far more captivating. Ward really shows a great grasp of the characters in this issue, with the Noir-esque detective nature of Batman (I.e. the internal monologue, the greatest tool of all detectives) to full effect. Also, the dialogue of characters like Nightwing, Alfred and Bullock come across perfectly in my head (of course, thus may be a piece of good timing as I've recently started re-watching the animated Batman series on Netflix).

As for the plot itself, there is still a lot of mystery regarding many aspects of this series. Little focus has been given to the importance of the boy or even a rationale behind the evil influence over certain characters (some of whom felt perfectly utilised for this story). However, Ward dangles enough line in the water to have kept me on the hook.

Ward's artwork meanwhile, still as psychedelically breath-taking as before, is pitch perfect for the story he is telling (as if he built the story just to show off his drawing chops). It lets off just the right mood for this Gotham that's on the edge of a very different kind of abyss constantly. In fact, from the reveal of one very fluid villain to the audience with the court and even the Bat's arrival at a villains colourful nightclub (I need to know if that villain is new for this story because I've never seen him before), there are so many pages where the art is truly mesmerising.

Then there is the lettering by Hassan Otsmane-Elhaou. Normally, I don't speak much about lettering because, while letterers deserves as much praise as anyone, theirs is an invisible art, only ever seen when it is bad work. However, here the letters only enhance the art by imbuing the chaotic vibe from Arkham Asylum and series of that ilk. This results in the dialogue further showing this city and its occupants descending deeper into the titular madness.

This issue isn't a massive jump in its captivation, but it is certainly a step in the right direction. Christian Ward has left Batman: City of Madness nicely set up for a finale full of revelations and twists (I certainly hope). However, given how exquisite this issue has been to look at, the only thing which worries me is how long I'll have to wait until the end reaches me.

Fire and Ice: Welcome to Smallville #4

After reading Fantastic Four #14, my second (and final) pull list comic of the week was Fire and Ice: Welcome to Smallville #4.

Picking up from the shell-shocking ending of the last issue, things are frayed between Tora and Bea as both struggle to move ahead with their respective plans, the other seemingly threatening success.

After last issue feelings of failure towards this series, I must confess that I came to this latest instalment with a fresher perspective and it actually wasn't so bad. While another quiet issue, this one feels much more focused on the dynamic between Fire and Ice, their issues, fears and concerns toward each other. This certainly feels like a welcome change of pace after the Big Brother/I'm a Celeb-like tone of the past few issues.

Of course, Bea's 'Real World' reality show hasn't entirely gone and its joined by a gruff, intergalactic Bounty Hunter whom I have little love for (also, Charlie the bartender seems to have had a complete personality change since his introduction), none of this feeling very enticing to me. However, I really enjoyed Joanne Starer's re-focus towards the eponymous characters in this issue.

However, Natacha Bustos' artwork continues to be the main draw for me to this series. Her style, making me thinking more and more of the Dodson's work, is just really phenomenal as it gives this 'Batgirl in Burnside' vibe of real life. Meanwhile, Tamra Bonvillain's use of colours here continues to be the icing on the cake, especially as, again, the tones are used on Bea and Tora which perfectly match their power set.

While this wasn't a full 180 from the last issue, part four certainly renews my hope slightly in how this run will pan out. What I do hope though is that the hint of the larger story which has been hiding in the background comes to the forefront of the story next month and give the book an ending which is a little less hot and cold.

Fantastic Four #14

Picking up the comics from my pull list for the week, I've decided to change tack a little, putting Fire and Ice to second and, instead, starting my reading week with Fantastic Four #14.

It's been a year since the events of issue 1 (well, technically, it's been 14 months, but I suppose we've had a couple of 2 parters) and finally the Baxter Building and it's outlying area are set to return. However, when the FF return to the site of their former home, they discover a social media inspired task being developed, threatening their children's imminent return.

With this issue, I really felt that Ryan North was trying to infuse a degree of social commentary into this series. And while I have no trouble with that (I like when comics try to say something deeper), the out of the blue and abrupt nature of it didn't help this issue capture me like the series so far has.

Of course, that's not to say it was a bad issue, as the focus on the evils of wealth, how power corrupts and discussion of invasion of privacy are very contemporary topics and truly need focus and the four are socially conscious enough to be the advocates against such things, it just felt that its inclusion and, with it, its resolution felt a little forced.

Everything Else for me is less a complaint and more of a nit-pik; the Gen-Z versions of classic Spidey/FF villains (what can I say, I'm a Paste-Pot-Pete fan), the arrogant CEO, Johnny's 'tashe (seriously, man, just shave it already!). It's fortunate that North gets the personalities of the quartet (I mean quintet. Sorry Alicia), because their charm keep me invested despite my struggle.

What's also fortunate is the art. Ivan Fiorelli's style perfectly matches up with Iban Coello work as the two seem to seamless tag in and out without any notice. However, with this issue in particular, the visuals made me think of prior FF works by Dale Eaglesham and the great Mike Wieringo (whose run is also though of in terms of the greater story in that the FF are hated. Yes, it's happened before!). Also, what's great about this art is that Brian Reber's colours have this light/white hue to them which gives it this hi-tech/futuristic vibe (or certainly makes me think of such books), which works in favour given this teams activities.

At this point, I'm not going to lie but admit that I'm done with the loss of the Baxter Building and it has me wondering, did I struggle with this issue because it put that resolution off? Well, maybe. This is by no means a bad issue (although I fear my words prior tell a different story), but it certainly is the weakest of North's run so far. Hopefully, next month will be a return to form (as well as, finally, a return home).

Spider-Man: Renew Your Vows Vol. 1 - Brawl in the Family

This weekend gone, I decided to try something a little different.

Somewhat forced to take a 30 day prime trial in order to purchase a Christmas gift (although 'forced' is maybe too strong a word), I decided to take advantage of this by utilising Comixology Unlimited.

First up under this new experiment, I decided to check out Spider-Man: Renew Your Vows Vol. 1 - Brawl in the Family by Gerry Conway and Ryan Stegman. This series focused on the Parker family from one of the many tie-in's to Hickman's Secret Wars as Peter and Mary-Jane, now married parents of Annie, juggle parental responsibility and Spider-power as a superhero family.

I wasn't sure what to expect from this comic prior to reading it, knowing only that I'd heard good things about this series and the cover looked enticing. However, after reading the first volume, I have to admit that I'm still not sure.

Conway writes and fun and relatable Spider-family, with none of the characters feeling too perfect or too annoying (a difficult balance in my opinion, especially with child characters). However, the plot itself feels a little broken for my tastes, vibing like a Tarantino movie as the focus darts back and forth through time. That said, the specifics of those various focuses are cute and really help sell the individual members of Spider-family as well as some of the supporting cast they interact with (except maybe a really creepy Normie Osborn. I have a theory about him).

As for the art, I have to admit that I absolutely loved Ryan Stegman's work here. I thought that he offered up a style reminiscent of J. Scott Campbell look within his pencils, giving it a rough but otherwise very a realness and wholesome look. His style also gave the villains who appear (Scorpion, Sandman, Mole Man) this very off kilter look which really stuck then with a more monstrous vibe. Then there is the Spinneret costume which I thought was a terrific design, as it nicely contrasted Spidey's own look.

Added to that were the colours by Sonia Oback, which had a varied look, seemingly utilising the whole spectrum; as it seemed to look both light and dark in equal measure throughout the Parkers' adventure.

All in all, I thought that Renew Your Vows' first trade was a bit of a mess, but a fun, gorgeous looking mess. It wasn't compelling literature but it was a fun waste of time and it's convinced me to check out the next volume sometime soon.

Sensational She-Hulk #2

My pull list backlog had finally been completed (not that I expected it to take too long) yesterday with the reading of Sensational She-Hulk #2.

This issue picked up right where the last one left off, with Jade Giantess visited by her bigger, crankier cousin, who seems to have a bone to pick with Jen.

I have to admit, this series has gone from strength to strength in my eyes. From the beginning of 'She-Hulk' all the way to its finale and straight into its reincarnation with Sensational issue 1, Rainbow Rowell and Andrés Genolet's She-Hulk has maybe become my favourite Comic on a month-by-month basis.

Which is why it was a little upsetting for issue 2 to be such a let down.

Well, let down is a strong choice of words, as is upsetting, because the more accurate term would be it was frustrating to see and instalment go nowhere. And 'nowhere' is a very literal term as the end occurs in the same place as the beginning, as the issue seems to just fly by as it is no more than a single scene filled to fit 23 pages.

Of course, it has some interesting points. The reaction by Joe Public to the Hulk's appearance was humorous to the point of disbelieving (there can't be people that stupid in real life, can there?) As well as the return of a duo of characters from the last run, to prove their journey isn't over just yet.

Meanwhile, Andrés Genolet's art continues to just scream style, as it continues to have this eighties inspired vibe with a dreamlike aspect thanks to the pastel like colours.

Now, don't get me wrong, this isn't a bad issue, but it is just OK. It felt like fourth issue of a five issue story; there to set up the finale but having very little to offer on its own merits. That said, like any part of a bigger story, I have no doubt that it'll read so much better when combined to make the whole.

Fantastic Four #13

Next up on my reading list was last week's release from my pull list; Fantastic Four #13

This issue closed out the story which began from issue 12 as the Quartet found themselves swapping places with their prehistoric counterparts. However, that becomes the least of their problems when they are all forced to face off against two Doctor Dooms, both eager to increase the size of the universe that they want to conquer.

I have to admit, after reading the latest instalment of Fire and Ice, I found myself hesitant to pick this issue up, fearful of a similar let down.

Fortunately, my concerns were unfounded as Ryan North round out yet another fun and light-hearted tale. What I enjoyed most about this how North resolved the plot in this issue, as Ben Grimm got to get the win not with his Fists but by outsmarted Dr Doom. Speaking of which, it was nice to see Doom taken down a peg or two, especially given how the last few years it's looked like he's been positioned as a far more heroic character than he should be.

Meanwhile, Iban Coello's artwork continues to exhibit this new age style which seems similar to the work done by Sean Izaakse, Paco Medina and a few others towards the tail-end of the Slott run. Otherwise, it's a solidly drawn issue, made better by the Fantastic look of the Fantastic Four as Dinosaurs.

Every issue of this newest Fantastic Four series has been a gem so far under North's direction, being fun and light-hearted and a complete antidote the darker real world. While I do hope for something a little more memorable to come soon, I'm still as hooked now to this comic as I was when I first picked it up.

Fire and Ice: Welcome to Smallville #3

With Gideon Falls finally completed after a two week splurge, I decided to catch up on the pull list comics which I had neglected in favour of it (not that there was many, to be fair).

Deciding to read them in release order, first up was the third issue of Fire and Ice: Welcome to Smallville, which saw the eponymous superheroines continue to adjust to the quiet life in Smallville. However, quiet isn't the word when Jimmy Olsen shows up at their door, causing the duo's newly hired staff of z-list superheroes to bring a load of ensuing hilarity in a bid to impress.

Unfortunately, this issue felt like it lost the charm from the prior two as the chaos contained within felt somewhat tiresome. This issue really felt like a pit stop within Joanne Starer's overall story with no progression seemingly found (save for hints of the second half of the series' direction), instead focusing on a sort of 'three stooges' level of slapstick.

Still, there are moments of promise, especially in the quiet moment between Tora and Bea as they find common ground and the latter has something of an epiphany. Also, the final page does leave me with some intrigue as to what's happening next.

Fortunately, the art by Natacha Bustos continues to be a main asset for this comic in my eyes. Bustos' style continues to have this Babs Tarr/She-Hulk vibe to it while also displaying similarity to Terry and Rachel Dodson's work (which I can't believe I didn't realise before, especially given they are producing the covers). This, of course, is greatly helped by Tamra Bonvillain's colours, which really help the art pop with incredibly Vibrancy.

As I reflect on what I've just written, I can't help but wonder if the exhausted state I was in when I read this hindered my enjoyment, or if the nostalgia about this two lead characters from the late Keith Giffen/Judd Winick Justice League: Generation Lost series gave me rose tinted glasses with the prior instalments.

Either way, this midway issue felt like a bump in the road, as if the series has been billed as one issue too long. Hopefully though, its just this issue and next month there is a return to form.

Gideon Falls (In it's entirety)

Well, I did it!! After nearly a year since I acquired volume 2, I've finally gotten around to reading the entire of Jeff Lemire and Andrea Sorrentino's Gideon Falls.

Less than two years since I first started reading this series (I received the Deluxe Vol. 1 for Christmas 2021), I had planned to return to this horror comic ever since I received the second deluxe volume just a year later.

However, with other comics and books in the queue before it and time moving ever onwards, it got to a point that the only way to truly enjoy this second part would be to read the whole series in its entirety.

Well, with the new winter approaching and the trips to and from work shrouded in darkness, I was able to return to the bus to work and, with it, the opportunity to finally read Gideon Falls in one large go.

As I reiterated when I read the first volume (a long time ago now), this series, set (mostly) in the titular town of Gideon Falls follows Father Fred, a priest haunted by the actions of his past, and Norton Sinclair, a troubled young man from a city a world away. However, despite their differing situations, both of these men have something on common; a reoccurring dream of a hauntingly eerie Black Barn.

I have to confess, Gideon Falls, as a concept, is not really my cup of tea. However, the work of Lemire and Sorrentino together that I've read in the past was sublime enough to warrant them my trust. And it was certainly this trust which was only enhanced when I read the first volume.

But could this dream team stick the landing with this series? Or would it all fall apart and leave me immensely disappointed? It was a fear of this latter option that maybe had me stay my hand when it came to picking this series up.

Fortunately, this worry proved to be unfounded as Lemire and Sorrentino finish this story as wonderfully as they started it.

The story begins slowly enough but it perfectly increases the tone, tempo and intrigue at the right gradient as it continues. For me, what started as a morbidly intriguing tale became a terrifyingly captivating and addictive one as Fred, Norton and their respective allies attempted to learn the truth behind the Black Barn and save the worlds they'd built themselves.

There is an opening foreword which compares this series to Twin Peaks and, while I've never seen that series, I certainly can believe it as Gideon Falls feels so in keeping with Alan Wake video game (which itself is a homage to David Lynch's TV series) with its dramatic supernatural/horror-esque tone.

Meanwhile, Andrea Sorrentino's art has this gritty taste to it, based on my thoughts when he drew Green Arrow. However, here, his work looks peerless and is pitch perfect for the world of Gideon Falls. Providing the story a realistic vibe to ground itself in, but then also beautifully providing us with the more horrific aspects as well as something truly mind bending towards the end which I couldn't help but drop my jaw to see.

I'm not sure what else I can say about this comic? Probably 10 times what I have but then I'd be pushing into spoiler territory and this is something which has to be seen to be believed. Nevertheless, Gideon Falls was a tremendous read over its two Deluxe Editions with an ending that, while feeling finite, also seems to leave the door open for a return visit. Whether more stories came from this universe or not though, this two tomes are definitely staying on my shelves to travel back to in the future.

The Sensational She-Hulk #1

Ok, so it took a little less time than Batman: City of Madness (God bless bus rides) but, on the exact same day as it was released, I read Sensational She-Hulk #1

This was a comic I've been looking forward to for the past couple of months, after seeing the end of the truly phenomenal 'She-Hulk' and since then waiting on tenterhooks for the return of Rainbow Rowell, Andreś Genolet and their take of the Jade Giantess.

Picking up around when issue 15 let off, life is going good for Jen; plenty of clients at work, a steady boyfriend (who's figured out how not to absorb her powers) and some good pals (and enemies) in her 'punch club' (although, should we be talking about that?).
However, things look set to unravel when family comes to town.

Oh, speaking of family, there's a back up story where Jen's dad has his friend's kid shadow part of her life, letting her share her superheroic wisdom.

Have you ever heard the adage about no how far they are apart, good friends seamlessly pick up where they left off? Well, Sensational She-Hulk feels like the comic equivalent to that. Contrasting with the opening of the prior run where Jen was at her lowest ebb, Rainbow Rowell really paints a picture of that same character truly living her best life.

The issue is very little in terms of a focus on the (what is no doubt to be) major plot. However, as readers are either/both caught up on the life of Jen and/or given the lay of the land to her current circumstances, Rowell delivers this 'setting of the stage' with such class and optimism that I couldn't help but fall in love with this comic once again.

And that goes double for Andreś Genolet's art, which continue to vibe this almost dreamlike landscape over a stylised 80's environment (which I've gained mostly from She-Hulk's wardrobe). His work perfectly continues to match Rowell's story, making me think that there has never (well, rarely) been a more perfect collaboration.

The back up story by Jessica Gao and Gavin Guidry doesn't quite match up to the main body of work, but then given how good that is, it may have had a job to do so. Nonetheless, with loud vibrant art from  Guidry and a quirky, enjoyable story from Gao, I think it nicely compliments Rowell and Genelot's work as well as take the sting out of the 4.99 price tag.

There's always a danger with re-vamps and/or re-tools of series in this manner that something will end up lost or diminished bit, thankfully, She-Hulk has gained the sensationalism without losing anything as a cost. I just hope that it doesn't change as time moves on.

Batman: City of Madness - Book One

It's taken almost a week to get round to it (and even then, it's taken two nights to actually get through the whole thing), but I've finally read book one of Batman: City of Madness by Christian Ward.

Telling a story from multiple perspectives, city of madness sees the Court of Owls facing a crisis when one of their own attempts to open a mystical doorway to a hellish mirror Gotham. Meanwhile Batman is summoned (in his own unique way) by Harvey Dent when the duplicitous villain confesses to hear a third voice within his damaged mind. Finally, while all of that is going on, a young boy travels to Gotham, seeking Vengeance for the murder of his father.

I had not initially planned on buying this comic, instead being content to discuss classic wrestling toys with my LCS's proprietor. However, when his buddy shows me a copy and tells me it's by Christian Ward, whose art I absolutely loved during the Black Bolt series, it became less a case of 'interesting' and more one of 'just take my money.'

And, indeed, Christian Ward's art is once again the draw (pun not intended) here. Ward really imbues the chaos of this story as his equally bizarre visual style really gives the book a real signature ... well, madness (hence the name of the book). From first page to last, this art really gives of a vibe that feels like a successor to Arkham Asylum (the comic, not the game, the former of which is also reference in story).

Of course, this is helped by Hassan Otsmane-Elhaou's lettering, which more than matches the artwork and helps give the story a very sinister feel.

As for the story itself, it's... interesting. Much like the art eludes to, Ward's writing of this plot feels chaotic and all over the place. That's not to say this is a bad thing, because Ward still manages to set up all of the pieces in order to get what happening across. However, it wasn't, for me, as big a draw as the art.

Don't get me wrong though, this is not a bad book by any means, it's just a case that while it lacks cons, it doesn't exactly landslide in pros. However, as we say in the English Football world, 'winning by a goal is still winning' (well, we don't say that, although I recall Joe Kinnear saying something similar once upon a time).

In short, while the story didn't wow me, it certainly piqued my interest enough to come back for book two, which is really just icing on the cake to let me see more of this awesome art!

Fantastic Four #11

After reading Fire and Ice as the first comic from this new comic book day, today's read was the last of that two day pick up, although it was hardly because it was the least.

Fantastic Four #11 by Ryan North, Iban Coello and Jesus Aburtov sees the family continue to live at the rural Grimm House as Ben unwillingly adopts a seemingly stray dog which has taken an interest in him. However, that isn't the strangest thing for when he wakes the next morning he finds everyone but the dog missing and the house endlessly freefalling down a deep hole.

I've been loving Ryan North's Fantastic Four run so far but, I must admit, this was the first issue where I struggled to be invested in the story. What I initially thought was going to a Wizard of Oz homage (a dog, a flying house, 3 missing friends who portray brains, heart and courage. It seemed pretty spot on) really ended up telling a far less interesting story that seemed far too short also.

The art style by Iban Coello and Jesus Aburtov continues to be one that I like but, while the work was solid, it didn't really enhance an issue that wasn't vibing with me to a place where it was less uninteresting.

This is a short post and maybe rightly so, because I'm not a fan of crapping on a book. However, this issue was a bit of dud in my eyes. I like Ben and I get his popularity, but after the Thing heavy Slott run, I think I'm all burned out on him and would prefer greater focus on Reed, Sue and Johnny (probably the latter two)

Still, the series as a whole has been great and I'm not about to drop the whole series based on one bump in the road. Hopefully, issue 12 will bring back the quality I've come to expect.

Fire and Ice: Welcome to Smallville #1

This New Comic Book Day just come and gone, and I found myself struggling with a choice about what to read first. One comic was a new title and the other something already established.

The question was; do I risk the new, unknown quantity first or last on my list.

Well, it was first as I read Fire and Ice: Welcome to Smallville #1 by Joanne Starer, Natacha Bustos and Tamra Bonvillain, which saw Beatrice Da Costa and Tora Olafstatter (the respective titular heroines) relocating to Smallville for some quiet reflection after some large scale problems arise from their heroics (which i kind of want to go back and read).

This series hit my pull list after the recent abrupt removal of Uncanny Avengers and I have to admit, I was a little worried. With Uncanny's failure to impress reminding me that no comics are perfect, along with the recent Adventures of Superman flop (in my opinion), I did fear I was setting myself up for another fall.

That said, Joanne Starer has written a very charming first issue to a story which, in this issue, feels very reminiscent to the recent Rainbow Rowell She-Hulk series in both its tone and direction. It isn't perfect in my eyes because Fire comes across as very Booster Gold here as she seeks superheroic fame. However, given that I am basing it on her depiction of Justice League Generation Lost only, there is always the idea that this is how she is, as well as this fiery temperament nicely contrasting with Ice's ... well, 'cooler' head.

Meanwhile, Natacha Bustos and Tamra Bonvillain provide absolutely stunning visuals to this story with a look that gives off a Darwyn Cooke vibe with with a far richer colour pallette. Because of this look, it gives Fire and Ice this very Babs Tarr on Batgirl of Burnside feel to it as it gets off of the usual beaten path and making this comic look truly awesome.

After the previously mentioned disappointments, I must admit that Fire and Ice is a nice breathe of fresh air that has really connected with me. I look forward to the rest of the series now and am sure glad I took the plunge and added it to my pull list at the eleventh hour.

Ultimate Invasion #3

I'm a week late on writing this but, with the kids going back to school, as well as a return to my bike to go to my work, writing time has been a little difficult.

However, I did, when it came out, read Ultimate Invasion #3 by Jonathan Hickman and Bryan Hitch.

This issue saw Howard Stark, in the aftermath of events from the prior issue, learn the truth behind the world's powers and the Maker's role in it. However, before he can make plans to combat it, he must first assist the Maker by working with a very familiar name. Meanwhile, forces from the future intent on stopping the Maker are revealed.

This issue felt like a very quiet issue and one certainly in keeping with what I dub 'third issue-itis' (I.e. an issue just before the finale which feels like a set up for that finale). However, that doesn't take away from the eeriness of the world as Hickman continue to build a new Ultimate universe which is so very different from either its predecessor or the 616.

The thing about this issue is that it seems to bring to light ideas that could conceivably be an accurate depiction of our world now. However, given how (as Howard puts it) insidious the notions are its doubtful, but it is certainly hard not to make comparisons.

As for the art, there seems little more that I can say that I haven't said prior about Bryan Hitch's contributions. Once again it really feels/looks like Hitch was the only and obvious choice to bring Hickman's vision for this story to life.

As the finale tetters ever closer, Ultimate Invasion is coming across as more and more of a captivating read. While this issue was certainly slower, I think it's gotten me appropriately salivating for the end ...

... although I do have that fear in the back of my head that the returning Ultimate universe may make it more anticlimactic that I want.

Black Panther #1-12 (The 2008 'Dark Reign' run)

This Bank Holiday weekend, I decided to use the additional day off and read another series from my Comixology unread list.

The series in question was the 12 issue Black Panther series by the creative teams of Reginal Hudlin, Ken Lashley, Jonathan Maberry and Will Conrad. This series, taking place (more or less) in the aftermath of the Secret Invasion and as Dark Reign was in full swing saw the technologically advanced nation of Wakanda rocked by an assassination attempt on their King T'Challa, leaving him fighting for his life. Now, without a Black Panther to protect and lead them, Queen Ororo (a.k.a. Storm) Princess Shuri and Queen Mother Ramonda must find someone to take up the mantle of Wakanda's protector while weathering political and economic upheaval as well as monsters at their door.

I remember this series coming out at the time and felt there was a lot of promise to it based on the cover (and, I know, you shouldn't judge a book by its cover). However, I opted against it in favour of Secret Warriors. Now though, after taking the opportunity to read it, I have come to realise how accurate that initial cover was and how enjoyable the series ended up being.

This run had immensely strong writing (although, admittedly, the Hudlin/Lashley portion felt stronger than the Maberry/Conrad half), with the characters feeling incredibly detailed. From Shuri's desire to prove herself to T'Challa's trauma, recovery and need for revenge, the characters had seemed to have some real depth to them, making them truly compelling protaganists to follow. While the story itself did feel a little convoluted (I have to wonder if this was to stretch out to a 12 issue run) and maybe a little samey (I'm sure I've read a version of the final events somewhere previously), the journeys the characters took were engrossing enough for me to forgive the more technical piece movements across the board.

I loved how Hudlin and Maberry perfectly found all of the characters voices, from T'Challa's regal but stubborn resolve to Doom's purely superior evilness, although the appearance of Namor did seem off as he didn't quite come across as the arrogant bully I've come to expect. In fact though, as I read this I did start to wonder if this run was what was use to influence the script of Wakanda Forever given some of the similiar notions and players appearing in both.

I thought the art was solid work throughout, looking very in keeping with Marvel's common 'house style' at the time. Again, much like with the writing duties, I personally found Lashley's work to be more appealing than the Conrad's just simply down to a more gentle pencil and lighter colour scheme from Paul Mounts. That said though, Conrad's style isn't exactly a minus point as his work reminded me of Mike McKone's work on Fantastic Four from just before Civil War. Therefore, it was still strong work, only a close second behind Lashley.

(I should also note that all twelve covers for this run from J. Scott Campbell and Paul Renard are gorgeous!)

This run of Black Panther felt like a bit of a game of two halves. With a strong start from Hudlin and Lashley, the series took a knock when Maberry and Conrad came on off the bench, but still managed to hold the ball for the whole team to take the win.

Simply put, this rendition of Black Panther was a really enjoyable read which is only upset at the end by the fact that it continues into Doomwar. Fortunately for me, I happen to have that run on my Comixology 'to read' list and after this run, I sure am looking forward to Doomwar, which will be my series next time I decide read off of my Comixology account.

Fantastic Four Annual #1

This might be a short post as, going into it I'm not sure what to say.

On the Wednesday just gone, I picked up Fantastic Four Annual #1. The Contest of Chaos tie in by Zac Gorman and Alan Robinson saw Johnny Storm, participating in the high octane pastime of finding Ben Grimm shoes, suddenly finds himself transported to He'll (or certainly something like it). It is there that he encounters the Ghost Rider, leading to a little fire vs fire action.

Now, I said this might be a quick one and, simply put, that's because I'm really not sure what I can say about this annual. Zac Gorman has cobbled together a quirky and light-hearted (which I certainly unexpected given some of the content) fight issue which seems to know exactly what it is. In fact, the choice of Johnny (Storm) as the primary protagonist while Johnny (Blaze) takes a more villainous angle certainly makes sense as it utilises the Torch's more acerbic sense of humour rather nicely.

Meanwhile, the artwork by Alan Robinson is solid, with it feeling very similar to the New Fantastic Four mini from earlier in the year. Its not a style which is my thing but it isn't inoffensive or anything and so it isn't a deal breaker.

When all is said and done, this annual is much most annuals I gave read in that it is an ok waste of time. I'm a little disappointed that Marvel had A. charge it at nearly £5/$5 and B. attempted to put it inside some larger 'event'. However, I'm certainly able to ignore the latter and just enjoy for how I thought it was; a chilled put use of 15 minutes.

Uncanny Avengers #1

It's been a week since I picked up Uncanny Avengers #1 and, up until now I've struggled to find either the words or enthusiasm to write something about it.

However, today i thought I'd give it a go.

Released under the 'Fall of X' banner and from Gerry Duggan, Javier Garron and Morry Hollowell, Uncanny Avengers picks up from the FCBD teaser as Captain America, on the heels of his failure to capture 'Captain Krakoa' and with faith in the Mutant Nation now at an all time low thanks to Orchis, reforms the Avengers Unity Squad with Rogue, Quicksilver, Psylocke, Deadpool and Monet St. Croix (going by Penance now, apparently) in order to fix both problems.

I won't lie, after reading the teaser from FCBD, I was really looking forward to this mini-series (I mean, I assume it's a mini-series). However, this first issue felt like a completely different story from that teaser. I mean, it isn't but the opening is so reliant on the FCBD issue that it feels that should have been issue 1 and this issue 2. Not to mention that the issue relies too heavily on what feels like a hefty knowledge of the current X-Men storylines.

That said, it also feels like a completely different series in terms of the writing, with the tone, tempo and all round vibe feeling completely darker and slower (not to mention the art, which looks way more Scott Kolins here than the Jim Cheung-esque look in the free issue).

By the end, I think it was fair to say that Uncanny Avengers was not going to be a comic which was for me.

Which is a shame really because I was really expecting good things here. I guess this is proof that a book can't always be judged by a sample read.

Damage Control #1 - 4

This weekend, after what feels like years of debating over it, I finally made the time to read all four issues of the late Dwayne McDuffie's (first) 1989 Damage Control run.

This mini-series followed the Marvel Universe's premier superhero related restoration and reconstruction company as they went about the daily goings on of Marvel New York. From moving giant robots, to repairing houses turned into glass and even repairing their own image, Damage Control went about completing it all.

I have to confess, I wasn't sure what to expect from this series. Having read the World War Hulk aftermath mini some years ago, I did think (given its creation date) something a little more serious and darker.

However, despite this being the case, McDuffie expertly married the ideas of serious and silly quite nicely in this series. Damage Control read very much like satire, as it commented on both the ludicrousness of the tasks the team has to handle as well poke fun at the heroes and villains who cause these situations (exhibit A, the early appearance of the Wrecking Crew's Thunderball, as an example).

Meanwhile, I never really gotten on with the silver/bronze age styles (a consequence of my late arrival, i guess), but the art by Ernie Colon (as well as inker Bob Wiacek) feels particularly fitting for this run. The art, which imbues that silver/bronze age sensibility (the latter more so than the former, naturally) looks particularly in keeping with the idea of Damage Control, this Mad Men-esque office with stereotypical yet unique characters. Therefore, Colan's style and flair is very in keeping here.

Damage Control is a fun little comic that, while isn't deep or the cause of tremendous ramifications, is a good yarn to chill put to for an afternoon.

It certainly makes me wish that a more modern series could be creates in order to compare it to.

Captain Marvel: Higher, Further, Faster, More

My third and final holiday read was Captain Marvel: Higher, Further, Faster, More by Kelly Sue DeConnick, David Lopez and Lee Loughridge.

Taking place back when the Captain's now iconic look was new, Carol Danvers journeys into space to find new adventure and return a crash landed alien girl, Tic, to her people. However, when she arrives, Captain Marvel must work to stop said people from being forcibly relocated by a galactic power.

I'm not sure what to say about this trade. While the first issue felt a little slow and monotonous, the plot soon ramped up on Action and captivation. Kelly Sue DeConnick really seems to form a while new character for Carol Danvers, who always felt a little two dimensional from the (limited) times I read her appearances prior. However, here she's not only heroic and no nonsense, buy also quirky and, most importantly, a big nerd.

Lopez and Loughridge's artwork seemed to match the essence of the story. It's colorful, light, clean and energetic, which is all very much in keeping with the story DeConnick was telling.

If there is an issue with this trade for me, it is that it felt too light and humourous for my liking (if that is even such a thing). DeConnick is telling a story about finding your place and fighting for it, but I feel it really skirts those ideas in exchange for a little brainless fun.

That said, maybe I'm just wanting my cake and eating it too. After the seemingly balanced read of Black Widow, followed by the dense Captain America, this is certainly a move to the other end of the spectrum.

In the end though, this was still a fun read which helped pass 90 minutes (or there abouts) of lull as my holiday wound down.

Captain America: Winter in America

After finishing Black Widow, my holiday reading continued with Ta-Nehisi Coates and Leinil Yu's Captain America: Winter in America.

Taking place in the aftermath of Secret Empire, Steve Rogers struggles to find his place in an America that was conquered by Hydra, whose Supreme Leader shared his likeness. Now, distrusted by Government and public alike, Cap goes it alone (well, almost) when copies of the villain Nuke begin their attacks.

I enjoyed this series, which felt like a spiritual successor to the Winter Soldier (my favourite MCU film) in terms of its political thriller vibe. Coates, best known as a political journalist, once again (as with Black Panther) leans into what he knows best crafts an intriguing story focused on the ideas of trust in Government.

Coates depiction of Cap is possibly my favourite part of the trade, as he struggles to deal with the fact that he is seen as immaterial after his views (and face) were twisted to a place where they effectively consumed his country. As a result, it was refreshing to see Cap on the back foot, attempting to prove an allegiance he never wavered from to those who now see him as a pariah.

That said, while the story is an entertaining one, there were some things about it which just felt like they went over my head. While the core concept of the trade made sense to me, I struggled to understand the villains' goal in all of this. Also, while it added an additional layer of conflict, the appointment of certain villains to positions of power over Cap also made no sense. I guess this is Coates attempting to reflect a sense of corruption and incompetence within government. However, I must admit it just made it a little too bleak for my taste.

Leinil Yu's artwork is solid stuff throughout and his rough, scratchy style helps convey a sense of the titular winter darkness into the plot. However, I have to admit that it took time for me to get on board with his work, as felt his style had an too much of an almost horror look for my liking. As I said though, I did get used to it and it ended up working rather well, especially with the cold colours Gerry Alanguilan (I assume) provides.

All in all, this was a good read, even if it was maybe a little too politic heavy for me to follow perfectly. However, with a final twist (which I hope is a feint) revealed at the end, I'm intrigued to see what happens next and so might add the follow up to my wish list.

Black Widow: S.H.I.E.L.D.'s Most Wanted

I've gone on holiday for a few days and, per my tradition, I've filled my tablet with a bevy of comics and graphic novels to fill my time.

Well, it seems I have a bit of time to fill because on my first night, I read Mark Waid and Chris Samnee's Black Widow: S.H.I.E.L.D.'S Most Wanted.

This trade follows The World's Deadliest Avenger as she is forced to steal from her own agency. Now on the run from S.H.I.E.L.D., Natasha Romanov must find a way to get herself out from under the villainous 'Weeping Lion' in a tale of action and espionage that sees her cross paths with a new incarnation of the organisation that made her: the Red Room.

I don't remember when I picked up this trade (I wanna say that it was a freebie during the early days of COVID) but, suffice to say, it's been a while. Yet, despite the fact that the team of Waid and Samnee, creators of maybe the best Daredevil run I've read, are behind it, I've never felt the urge to sit down with it.

However, now I know that this was a mistake because Black Widow is a fantastic, action-packed espionage story about the ghosts of out pasts always haunting us.

Waid and Samnee (who did joint writing duties here) have (spy)crafted a story which has all of the wit, charm and depth of their Daredevil run, but with a lot more darkness and brutality to reflect the Widow's tragic origin.

Indeed, Mark Waid, who I said previously seems to hold one of the greatest encyclopedias of knowledge in comics, again uses an abundance of Widow's canonical backstory and merges it with that of others to add another layer of her life before the Avengers in a real shocking twist.

Meanwhile, Chris Samnee, pulling the art duties alone, applies his style perfectly to make Black Widow and truly beautiful comic of almost Darwyn Cooke proportions. As with Daredevil, Samnee applies the action scenes fantastically, giving an almost living aspect to this set scenes and showing off Natasha's ballet skills with some fantastically kinetic fight scenes.

And then there is Matt Wilson's colours which I love as they give the art a bit of a Francesca Francavilla flair (reminds me of Black Panther: Man Without Fear). I also think that his colours enhance the tone to better show darkness of the story.

By the end, I'm annoyed with myself. Not for reading this trade but for waiting so long before I did. Black Widow vol. 1 is quintessential Waid/Samnee storytelling. I was captivated, amused and entertain in equal measure and I have to get volume two to see how the conclusion to thus story plays out.

Adventures of Superman: Jon Kent #6

I've reached the end of a week of Pull List comics today by reading the second of the two comics (so far) for ugust; the Adventures of Superman: Jon Kent #6.

From Tom Taylor, Clayton Henry and Jordie Bellaire, the finale of the Son of Kal-El's six issue jaunt to the Injustice universe comes to an end as Jon attempts to rescue that Universe's versions of Batman and Harley Quinn, both of whom are facing execution. However, to do so, he'll first have to get take on the Justice League.

Whereas almost all of the issues prior to this have been incredibly quiet and slow reads, I felt that this one really ramped up the action. However, Tom Taylor certainly put a wonderful Superman spin to it as he showed that, for Jon Kent, being Superman is about more than throwing punches.

Unfortunately, that is really the only positive I took away from this issue as the ending felt rushed and the art from Clayton Henry, while solid, didn't really wow or resonate with me (although his depiction of the aforementioned twists certainly elicited something of 'go Superman' feeling).

I do wonder of reading this series as a whole rather than piecemeal might connect with me better, if only because the 'It's a Wonderful Life'-esque moral that's hinted at the end certainly intrigues me that I want to give it another chance.

However, while the final page hints at another mini-series to come, for the moment I think I'll probably be giving it a miss.

Fantastic Four #10

No sooner do I finish reading my July Pull List comics but August begins and some new entries are released.

Therefore, with a couple of new comics to read, I figured I'd start with my favourite series in the form of Fantastic Four #10.

This issue, from Ryan North, Leandro Fernández and Jesus Arburtov, takes place on an alien sleeper ship ad the most recent in a line of caretakers awakes to find his predecessor long dead, their ark ship carrying their entire race in hypersleep at a dead stop and a mysterious piece of artwork portraying four fantastical beings.

So far this series I've previously thought that Ryan North has been writing stories within this comic series which skew towards a horror/Twilight Zone kind of tone. Well, this issue feels no different as North seems to have channelled Event Horizon in the crafting of this tale. Told from the perspective of multiple caretakers over centuries (thanks to timey wimey stuff), the plot feel incredibly haunting and creepy and had me in equal parts wanting to cover my eyes (something I still do with Event Horizon at nearly 40) and being too compelled to even consider putting this issue down.

I think a major factor to this last part is the art. Leandro Fernández and Jesus Aburtov together craft a truly unnerving environment with a style that reminds me of Scott Kolins but feels cranked way up to eleven thanks to some seriously moody colours.

There are some parts of this issue which doesn't make sense to me, all of which involves the timey wimey element. However, this is barely a blip to me in an otherwise atmospheric and addictive read.

I'm glad to see that the Four are truly Fantastic again under North's. I look forward to seeing it continue for a good long time to come.

Superman: The Last Days of Lex Luthor #1

Closing out the comics from my July Pull List (as well as the first 500 posts on this blog. Wow!), this morning I read Superman: The Last Days of Lex Luthor #1 by Mark Waid and Bryan Hitch.

This story is pretty much as the title suggests when, after orchestrating a major catastrophe just to get his attention, Lex Luthor informs Superman that he is dying. However, rather than accept the impending shuffle from this mortal coil, Luthor asks for the Man of Steel's help in finding a cure, beginning a journey for the two throughout the world and beyond.

When I first saw this title announced with Mark Waid's name attached, I knew it would be something special and it didn't fail to disappoint post reading. Waid, with his rather well known encyclopedic knowledge of comics lore, has crafted a story which feels intrinsically Superman in every action, word and feeling.

The issue, while for the most part, very quiet and methodical really spoke to me with this unspoken subtext: how does the Man of Steel balance such a choice; help his greatest villain or break his very code of existing. I think Waid really hammers this home with flashbacks of a younger pair's interactions.

I've just read another comic drawn by Bryan Hitch and, once again, I struggle to see another perfect choice to get Waid's words across. Hitch's style really lends towards the detail needed to get the prior mentioned feelings across. The only difference here to Invasion is that Kevin Nowlan's Inks and David Baron's colours really change the look entirely, giving it a vibe more like (aptly enough) Brian Azzerello's Luthor series.

In the end, the only downside for me is the size of the comic, as its one of those larger formats which has no backing board nor can fit into my short box. Beyond that though, this is a truly captivating rendition of a truly classic feeling Superman and I already can't wait for the next issue (in a whole two months time, booooo).

Ultimate Invasion #2

As I moved through my pull list comics after She-Hulk #15, next up was Jonathan Hickman and Bryan Hitch's Ultimate Invasion #2.

The second issue picked up from where the first ended as the Maker, the evil Reed Richards from the previous Ultimate Universe, continued his plan to make a new Ultimate universe. However, even with all known threats eliminated or controlled, it seems there are still some out there who do not agree with his plans for the future.

Issue two really felt like it moved very much away from the tone of the first. Unlike that issue, which was essentially a manhunt, I thought this one felt much slower and more methodical. However, this doesn't take away from the intrigue and general unease Hickman seems to have infused into the story.

I'm a big Reed Richards fan (probably because, as a man on the autistic spectrum, like recognises like), but the way that Hickman seems to get 'the Maker' and how he depicts him is equal parts unsettling and captivating.

In fact, I think unsettling, uneasy, eerie and many words like them perfectly sum up this issue. There is so much he that feels familiar and yet isn't (one thing even 'ripped' from the past, only to discover a curveball behind it) that I gave this ominous feeling in my gut as I wonder what's going to happen to completely upend my expectations.

As a result of this though, I now feel that Bryan Hitch's art continues to be the perfect fit for this story. While previously I had set that his style being the embodiment of the Ultimate Universe gave a sense of familiarity, in this issue its inclusion just further enforces that feeling of bizarreness. This doesn't even take into account a late scene in the comic that is just downright haunting to me.

I feel I've made this issue sound like a serious no no, and that couldn't be further from the truth. Yes, Ultimate Invasion #2 is eerie and creepy in its 'not quite' similarities and some set pieces but, my God, if it isn't incredibly captivating and addictive.

I'm not sure how I can wait a month to see what happens next.

She-Hulk #15

With last week being the final week of July, I decided that I'd forgo reading another trade and, instead, return to my pull list in order to finish off my July 2023 releases.

So, first up this week, I've read She-Hulk #15, the final issue of series.

Well, the final issue ... for now.

This instalment sees the sensational Jade Giantess continue to acquire the information behind the Scoundrel's nefarious actions over the last few issues. Meanwhile, the Punch Club (I guess 'Fight Club' had a copyright) gather for their most recent meeting. All of these events come together in a knock-down finale and explosive ending to Jen Walters' moat recent adventure.

Again ... for now.

I've gotta admit, I'm in two minds about this issue. First up (for a change), the art by Andreś Genolet continues to be phenomenal. Its a little more cartoon than a regular house style that I keep seeing in Jon Kent or what was happening at Marvel years back in, say, Thor. However, it's vibrant, kinetic and those finale pages really put the cherry on top of what, overall, has been a great series.

The writing, however, is a slightly different story. I mean, cards on the table, this issue is still great. Rainbow Rowell caps of this series with the same charm, heart and wit that every issue prior has offered and, again, the ending just just absolutely beautiful. However, I won't lie that I felt that the issue seemed a little rushed, as though they needed to wrap it up quickly and with no real conclusion.

That said, it's not enough to take away from those final few pages (Jack of Harts has really gone up in my estimations thanks to this series) and just the quality of this run as a whole. Also, given that a follow up series, the 'Sensational She-Hulk' will be picking up where this left off, I'm just going to say that this was a lovely end to this chapter.

I hope we just don't have to wait too long until the beginning of the next one.

Fantastic Four: The End

So, I've just finished reading Alan Davis' Fantastic Four The End.

I won't lie, I don't remember when I picked up this trade. I recall it was a Christmas gift but was it from 2021? 2022? I simply can't recall. I think it was the former but, either way, it's a title that's been on my to read list for some time, one I wanted because it felt like a missing chapter in the FF story but one I could never find the enthusiasm to get to ...

... until this week, anyway.

Anyway, the story goes that, in the far future, the Fantastic Four are no more. With the loss of Franklin and Valeria years prior the first family has gone it's separate ways. Johnny leads the Avengers, Ben is a family man, Sue travels the world as an archaeologist and Reed reclusive works to maintain an intergalactic treaty between Earth and the cosmic powers. However, when events and villains past conspire to destroy the treaty (and the Earth with it), this family must come back together for one last time.

Now, it certainly has an epic ring to it and certainly fitting (in my opinion) for a Fantastic Four story.

Unfortunately, despite attempting to keep an open mind throughout reading this series, The End really struggled to capture my interest or enjoyment.

I mean, I certainly enjoyed the ideas which were put in place, as well as the artwork in principle, with Alan Davis' style reminding me of Carlos Pacheco's Avengers Forever work.

Sadly, I found the book, both in story and general layout (both the panels and specific visuals) to be very cluttered and chaotic. I loved that we got to see almost the entire FF rogues gallery appear and have hefty parts of the story. However, these, along with all of the Avengers and Inhumans who appeared, really felt like they were all fighting each other for page space rather than the future of the Earth.

Then there is the Fantastic Four themselves who, despite being the eponymous characters, were barely altogether enough that it felt like their name should be on the cover. Also, this came across as another title where Reed Richards got short changed (it seems to be a more common theme these days).

At this point, I feel like I've trashed this book far more than I planned to and, to be fair, it' not all bad. With so many characters who were so connected to the team, it does feel like a love letter to the book as a whole. However, for all its good points, it just struggled to captivate me as I really think a longer issue run would have helped it breathe.

Of course, I can't say it's a bad book, because all opinions (even mine) are subjective. I've only read one other comic by Alan Davis (ironically an FF annual), but I know that he has built a career on tremendous works that many love. However, right here and right now, this one didn't capture me that way and kinda let me down.

Fortunately, however, with Ryan North's current run and Full Circle still to read, this isn't the end, just a bump in the road.

Re-reading ... J. Michael Straczynski's Thor

A little over a week ago, after having caught up on my pull list of Fantastic Four, She-Hulk, Ultimate Invasion and Adventures of Superman, I was trying to make a decision as to what to read next.

FF: Full Circle, These Savage Shores, Gideon Falls Vol. 2. These and more besides were amongst the pile of comic trades I had yet to read.

However, my mood at the time pushed me in another direction, back to my shelf of already read trades and to the Thor run by J. Michael Straczynski, Olivier Coipel and Marko Djurdjevic.

This run, which took place in the immediate aftermath of Marvel's original Civil War, saw the God of Thunder return after a (I think) two year absence. Brought back from the void after the events of Raganarok by Donald Blake, Thor sets about restoring Asgard and its denizens on Earth.

It's been a long time since I last read this but, after reading again now, I can remember why it still remains on my shelves nearly 20 years later.

This was a tremendous series by JMS, who seamlessly picked up the classic vibe you'd expect from Thor and made it such a compelling read.

This is a story about rebuilding your life because, with the return of alter ego Donald Blake, it really becomes about two men finding themselves in this new world, both of whom had their lives taken in some form. However, I felt that the arc evolved as it progressed, with a focus on change and consequences as we saw Thor rebuild, but attempt to make it as it was but on his terms. This us what led to repercussions.

Now, I've named the title of this post as JMS' Thor, but that's only in the interests of shortness. Make no mistake, while JMS gave us the story, Olivier Coipel and Marko Djurdjevic brought it to life. Both these artists seemed to perfectly mesh modern aesthetic with a very 'medieval' look of Asgard, heightening the epic feel. Then there is Chris Eliopoulos' lettering who does a tremendous job as he gives the Asgardians an older looking font, while maintaining the usual for the modern day 'mortals'.

If there is one gripe I have about this run it is that my copy of the first volume had been cropped incorrectly, tilting to the left and cutting some of the speech bubbles. This is annoying to say the least, but not a deal breaker.

Being the entirety of JMS' run, I'm perplexed by the ending, which feels like there was more story to tell, making me wish I'd picked it up way back when. Nonetheless, this is still an incredible run, filled with heart(s), humour and high quality visuals. I look forward to reading it's greatness again (although, maybe a shorter time than 20 years).